Happiness is the same lil black mumpkin, only this time with bat wings and a slightly bigger *blep*.
Yes, all my #Happiness posts will be about cute animals. I'm consistent and easily pleased.
Happiness is the same lil black mumpkin, only this time with bat wings and a slightly bigger *blep*.
Yes, all my #Happiness posts will be about cute animals. I'm consistent and easily pleased.
Who else loves the floor? It's great. Sometimes it's sand, or cobble stones, or hard word. Sometimes it's at a stupid angle, and everything dropped on it rolls away to lurk under a couch somewhere. Sometimes it's carpeted and you don't have to wear slippers for every freezing cold moment of your life. Sometimes it's really pretty.
Ok, I'm being facetious, but let me awkwardly segue into my point: there are often really beautiful things to be found by looking down. Just the other day, whilst running through a carpark in my heels to pay for a parking ticket I forgot to get on my way to being fashionably late to a wedding, I spotted a gorgeous and very dead giant moth. So naturally, I had to stop and take a few photos of it for my never ending supply of reference photos [the wedding was lovely too]. That's a slightly different example than the ones I've collected here - these ones are all beautiful ceramics, set apart from the boring grey around them to delight anyone who stumbles [or deliberately stands on top of] upon them!
The Instagram account I Have This Thing With Floors has a lot of examples in their feed, but a few of these jumped out as my favourites.
But seriously - what is this trend of showing off the floor with your feet planted in the middle of it? I guess it's the show you were actually there, and to give some context to where you found it - and possibly also to show off your rather stylish choice in footwear - but it's a very bizarre trend and it irks me.
This one is my absolute favourite, and I stupidly cropped out the account I found it on months ago. I have a deep love of star shapes in any form of imagery, I'll probably delve into that another day, but these two shades of green and blue mixed together are so beautifully balanced. I've come back to this image time and time again to draw inspiration from it.
Even the cracks and shattered empty spaces are perfectly formed, like intentional mistakes. And again - of course - feet. Thank you Instagram. You may be my favourite way to waste time, but you have definitely developed your own culture and it's not nessecarily all Instaworthy.
[edit: just found out where the floor with the stars is, and it's somewhere in Hollywood and I'm going to get to track it down next year! Expect a joyful selfie!]
So some people might remember when I got to go home last Christmas! By home, I mean my homeland of New Zealand [cue fireworks!]. It's been a long time away for me, as the last time I got to go home was in 2001 for my sister's wedding. There's a lot I could say about my time spent back in Christchurch, but I'll just sum it up by saying it was one of the most rewarding and wonderful experiences, and gifts, I've ever been given in my entire life and I am so full of gratitude and joy because of it. I have a wonderfully supportive family, and I will never stop saying thank you to the people who got me to where I needed to be.
Among the many wonderful things I got to do was a trip to Willowbank Wildlife Reserve with my beloved cousin. I have only a handful of strong memories from my childhood, and Willowbank had some of the clearest ones. There are bossy deer who steal your pellet bag off you, and chatty birds, unfussed wallabies and maybe a kiwi if you're very lucky and very patient. But - best of all - there are long fin eels.
Aren't they hideous? I love them.
At WIllowbank they live in this little river/pond arrangement that snakes through the park, and has a section with a glass tank wall and steps down so you can see them lurking away in the shadows. I have memories of it always being wet and dank and vaguely unpleasant, and that my brother absolutely hated them and would refuse to go near them. That might be why I love them so much - a mixture of them being perfect Halloween creepy crawlies, and because I'm a complete brat of a baby sister.
Returning was a slightly different experience, as the walkway wasn't nearly as dark and miserable as I remembered it, and the eels were mostly pretty chill and just hung out near the jutting feeding areas waiting for tourists exactly like me to offer them pellets that would suck up, and then grumpily spit out in disgust [took me a while to remember I had to buy meat for them].
On leaving, I was disappointed that there weren't any eel plushies to buy to accompany me home, and of course this naturally meant I had to make one upon returning to England and my studio.
'Ello. Is me!'
Hello there cutie.
Ok, so let's be honest - eels are not particularly cute. They're pretty awful looking to be honest, they're long and slimy, with big mouths hiding little white teeth and then there's the eyes - like the eyes of the dead staring unblinking up at you from the murky water. They're perfect if you're into creepy looking sea monsters, but they're hardly going to win any Miss Wildlife Universe pageants. But, surprisingly, there's a lot more to them to be appealing than you'd assume. Firstly, those long bodies are actually very soft and velvet-like when you touch them [do it, I dare you, touch the nightmare fuel] and they move too slow and gawky to seem threatening. Watching them, they seem pretty good at bumping into things, stopping momentarily to internally roll their eyes, and bumble off in a different direction only to bump again. They may have the eyes of soul suckers, but the look they give you when they bump into your leg is priceless - like how dare you stand there, the sheer audacity. Spending time with them, two words I would use to describe them would be ridiculous and downright sassy.
I played around with the scale for a while [I made one that could have easily been a ring, and trust me that gave me enough ideas to write down and never get around to], and also with the pose. Truthfully, long fin eels are a little stiffer than the moray eels we're used to seeing twist and turn, but I thought it would be nice to mimic some of the traditional Maori pounamu [greenstone] shapes as the flowing designs would match so well.
The design that ended up being the most visually successful was the fishhook, with the little guy peeking over his own tail and giving a bit of a cheeky look. The decision making in this one was pretty organic - the black plush was the best choice for the velvet like skin of the eel, and of course he had to have his little nostril tendrils. For the underbelly, I had to bring in a little Patchwork Toad colour and give him multicoloured spots.
I feel like seeing the underbelly of an eel in the wild should be a bad omen or something. The only thing I found challenging with this [aside from photographing a solid black toy] was picking his eyes. Longfin eels have these weird bleached out eyes that sometimes seem completely blind and pointless, and then other times feel like they're zeroing in on you. I tried a few of my regular eyes, I even painted set set this odd shade of grey. Eventually I had a go with some flat back rhinestones, and they worked a treat! Unfocussed, yet glittering with intent.
I had so much fun making this little dude. Making new designs for my growing patchwork zoo is my favourite part of this whole process! I wish I had more time to focus on it, but between work, work and moving it only pops up in moments like these - and I wouldn't miss them for the world! I sent this little guy off to New Zealand for my cousin as a thank you for showing me around so much, and just because I love her. Hopefully I'll be able to do some more work with this design in the future, you never know!
Patchwork Toad is in transition at the moment - we've been heavily downsizing and moving house, moving in with some friends! That meant I was rushing like a crazy person trying to catch up on all my open commissions and mailing orders, whilst also packing - inventorying - repacking - labelling - the cycle is never ending. I had to be quite hard on myself with letting quite a lot of my collected craft supplies go. I'm sure I'm not the only artist whose lovely friends give them colourful wool and paper flowers and glitter and buttons, and pairs that with that mentality of 'oh, it'll come in handy eventually, I shouldn't get rid of it because then I'll suddenly want it'. In the end, I paired up a lot of the supplies with the criteria of 1. when did I last use this? and 2. would it fit into the new directions I want to go?
1 is a lot easier to answer than 2.
But regardless, I stuck with it and got everything organised, packed, labelled and safely stored away until a suitable studio arrangement is found. Unfortunately this does mean I won't be available for custom orders for a little period of time, but I do have a large amount of stock I will be selling off in a series of sales - one in September, one for Halloween and another for Christmas. I'm hoping to have the studio up and running before the end of September, but I will keep that space open for updates.
Moving house is hell, and I have been to the recycling centre so many times in the last two weeks that they now know my name, and see me coming bright and early with a new carload of stuff. But finally, blissfully, I find myself in my new place with my new housemates, with all my essentials carefully organised into storage boxes under the bed and Tetris'ed onto shelves - and the last job on my seemingly never ending to-do list is ticked. This day was foretold, and yet I struggled to believe.
So what to do on a quiet, rainy Wednesday afternoon with no demands on my time? Well, I probably owe a blog post or two, and probably best to start with the redbreast I teased in an early post...
Previously, on Patchwork Toad...
Um, excuse me? Who are you, and what are you doing on my head?
Look here, branches don't talk - and they certainly don't complain!
Well, it seems this little visitor may not be the sweetest songbird in the flock, but at least he's beautiful and brilliant. I originally wanted to make two little birds that were vaguely inspired by lovebirds but were more like sparrows or tits. That's a really long way of saying I wasn't sure what I wanted them to look like, but I knew I wanted them in earth tones. This was definitely one of those occasions where I didn't have an exact plan in my head, just a series of vague ideas. That included the pattern as well. I have bird patterns from when I first started making toys, but I have of plans to improve them all [endless plans, so many ideas with so many directions...].
I sat down at my desk with a small stash of gradient fabrics, a bit of drafting card and a pencil... and what followed was a lovely afternoon of all the elements just working together, and flowing into this beautiful little bird I essentially conjured out of thin air. I sometimes get very enthralled in the transformation process of raw materials being used in such a way that something brand new and completely unique forms out of them, and it's one of the best parts about what any artist does with a blank canvas of any medium. I realise that could sound a little narcissistic, but it's something I think a lot of creative people understand and it's maybe a subject to go into another time.
Focussing back onto the little robin redbreast, I decided to give him a brilliant red and fluffy chest - hoping to mimic the way robins puff themselves up in winter for warmth. I also experimented with a technique I've seen all over the internet on craft projects and attached the wings using a very straight forward buttonhole method - which gives it the added feature of being able to rotate and really add some character to the overall toy. Lastly I decided to add some glimmering green tail feathers to this little guy. Call it artistic license, I know robins don't have green feathers, but I just thought it would add a little drama.
A few things I still want like to improve going forward - I need to change how I make the beaks! They're always a little stumpy, and maybe I could sharpen them up by making them out of clay or a similar material to my claws. I've been a huge fan of Justien van der Winkel for a few years now, and adore their work with birds. We approach our birds in a different way, but I'm very inspired by how they translate the elegance and the essence of each bird into their sculpture work. I've been wanting to move my work away from the crafty element and more into soft sculpture and toy art, and van der Winkel has got the perfect blend of fabric work mixed with precise elements - the beaks and feet are particularly birdlike, without taking away from the 'feathery' textile work. I'm not a copycat, I would never lift someone's ideas from their work but inspiration is a very different thing.
Overall, while there are definitely elements I would like to develop in my own birds, I'm so happy with how this little guy came out. He's definitely got his own character and sassy personality, and after finishing him, I just let myself sit and stare at him and enjoy the little moment of creation. I think he's one of the most beautiful toys I've ever made, and I regret telling him that because now he won't let me forget it.
I'm having a little love affair with the idea of netting at the moment. Whether it's peeking out from under a skirt to create a voluminous explosion of colour, or draping down the back of a bride's gown, or even embroidered with little details - I can't get enough of it!
I've been daydreaming about outfits I could make with the soft kind of netting - overskirts and veils and hidden details.
Have a look at some of the gorgeous things I've stumbled upon on my search for netting.
This gorgeous tea party dress is just so breath-taking - it's like a fantasy garden all wrapped up and hidden away in a memory, with the romantic colour of the cream netting and the cascade of ivy. This style of dress is very well-known anyway, being a little bit vintage and a little bit swing dance, so by including all these fake flowers and leaves just adds a level of whimsy to it that's just so inspiring! I would love to add this kind of look to my wardrobe, but I probably need the right event first!
How can a garment be so daring and show so much body, whilst also being so demure and sophisticated at the same time? This is the type of dress that relies on having a beautiful figure to do all the work for you - with the netting and the delicate appliques of butterflies just adding little touches to the finished look. I'm particularly taken with the shape of her undergarment, how the triangular angles across his hips and bust mirror each other, and then again the netting coming to the elbows. I'm also reminded of some of the fashions I've seen on my favourite TV show - Rupaul's Drag Race - especially Bob the Drag Queen's movie premiere runway and Courtney Act's butterfly gown. Both embraced the idea of hidden nudity, one with netting and the other with strategically placed butterflies.
I was thinking about veils for ages last month, for two reasons - firstly because I've been thinking about the imagery of the Virgin Mary, and secondly because they are such a simple and effective tool at translating a look into a whole other world of fantasy and elegance and mystery. I was particularly excited about the idea of embroidered veils, or veils with some kind of attachments or added elements - flowers or sparkles. I spent a fair few evenings wandering around the web in search for veils that could sate my lust, and only found a handful to match what I was picturing - including this evocative photo of a lady bathed in shadow and swathed in her endless veil, the small touches of red adding a feeling of seduction and danger to it - like a black widow poised at the centre of her web, waiting.
I have a few more I want to share, but I will leave them for a different post as they lead down a whole different path of thinking.
Happiness is this little black mumpkin with a pumpkin. Can't wait for Halloween!!
Happiness is a big black Christmas floof wrapped in glowing rainbow lights and a star balancing at a jaunty off-angle on it's head.
A few months ago one of my partner's work collegues got in touch to ask about making him a very special toy. He wanted a large cuddly beagle for his partner - but not just any beagle, a specific beagle. His beagle!
Sadly, I deleted all the reference photos except this one, but look at this beautiful lady!
I've done a few pet portraits in the years, and they're always tricky because capturing the essence of your four legged friend is not the same as just following a pattern - everything's a little bit different, whether it's the ears or the eyes or (in this case) the charming patches of white on her face and snout.
Not only did he want a cuddly representation of his beloved pooch, but he also wanted a very specific fabric he'd spotted on my social media - the Alexander Henry tattoo flash cotton that continues to be popular! On that front, there were no problems. I already have several variants of it in stock, and I've made plenty of inked up keepsakes in the past.
Appliqué tattoos are becoming a little bit of a speciality now - maybe I should take this idea a little further in my spare time (Spare time, who am I kidding, I'll just file it away with the rest of my wish to-do list). My Alexander Henry fabrics come in black, sepia tan and cream - which is perfect because so do beagles! I started with my basic dog pattern, adding some bigger ears and adding the shape of the head simple.
I should really do in progress shots for some of these stages, but I never remember to.
Adding the black patch across her back was the easy part - it's very similar to draping on a dressform but with plush cuddle instead of satin or cotton. Plush cuddle is a perfect fabric too, not only is it super soft and tactile but it doesn't need a hem!! Perfection. I spent so much time folding it under as I stitched it before I realised it didn't need me too.
To be honest, with a commission like this, it is all about the face. I ended up hand-stitching most of the plush elements of her head and face. I had to resize and move her ears about three times before they rested the way I wanted them too. In the beginning I made them way, way too big because beagle ears are heavenly, but by the time I was finished - they are everything!
The inside of the ears were tattooed as well - because this older lady is a badass.
When it came to making decisions about the colouring of her face, I was torn between representing what we think of as a classic beagle colouring, and wanting to make her look as much like the subject matter as possible. In the end, I draped the fur onto the whole of the face with the arrow shape of her head at the top. I also added the white muzzle which gave me an opportunity to sculpt the shape of her muzzle, give it a bit more definition on the chin and around the nose.
The smile of this lovely lady was hand-stitched, and wrapped with embroidery thread to create a raised effect.
The eyes were a little bit of a problem. I have yet to find any safety toy eyes that glint and sparkle like real eyes too, that have depth in them. I have a lot of beautifully painted eyes, but I'm still on a quest. In the end I picked some dark blue clear plastic eyes, and painted the dark details in myself, after adding the black and dark brown around the eyes. You know how dogs can get those dark, wet patches around their eyes, like they're holding all their love in their eyes? I added those first, and the end result of layering darkly detailed eyes over black plush meant that the majority of the details got lost - but there was just enough depth in them that I was happy. Unfortunately for me, they didn't photograph the same way they appear in life.
I knew the face needed a bit more dimension, and who can resist those puppy eyes made even more manipulative by big slanting eyebrows? I pinned them in place, but my partner wasn't convinced. I ignored him, and I'm glad I did - I think they added a crucial detail to her face! I would have liked to have gone further with the detailing, maybe done some more fading around her eyes, some tones in-between the dark brown and cream - or even some hand embroidery stitching, but another idea, another day.
Lastly came the patches of white on her muzzle. I was originally going to leave the snout white and the forehead cream, but I kept coming back to the photo of her in the kitchen and thinking how obvious the shapes of white fur were - almost like swirls! I changed the spacing a little bit, simplifying the shapes and using the space on the canvas rather than worrying about the proportions of the original (artistic license, it's a handy tool).
Overall, this was a great commission - it had a lot of small challenges, and gave me a lot of ideas to play with and develop and I'm very excited to continue with some of the new ideas I have to play with.
Oh, wait - who's this?
Um, excuse me sir, you're on my head.
Quiet you - branches don't talk. And they certainly don't complain!
(Stay tuned for more on this little red breast!)
I went to visit a lovely friend from University for her hen do and got to meet a lot of lovely other people, reconnect with friends from afar and say hello to some of my first Micro toys!
Hello babies! Still so cute even with pattern revisions, and I remember how in love with Kaffe Fassest fabrics I am. Not much else to say except - look how cute and colourful!
So I had this idea bouncing around my head for a while now, and I'm still working out the details. I've been making map elephants for a while now, and they've always been pretty popular. I've been making them in a variety of colours, but the sepia ones have been the most successful.
I had this idea of highlighting the countries in thread for people as travel souvenirs, but the idea kind of evolved into something a little different.
Ok, bit weird, but go with me here: anyone remember that phase when people were mailing fruit and veg in the post to each other? Like just a whole potato, with a stamp stuck on, and an address written on it?
I thought I could make an elephant that looked like a manilla envelope, and add a fabric postage stamp/post mark and embroider an address on it. I thought it would be a cute way to send someone some love, like a postcard in the shape of an adorable elephant! I have this little habit of sending my friends weird postcards and letters, and I put stickers all over the envelopes and write speech bubble jokes and colour things in and doodle little stars all over them, and apply liberal use of the gold ink pens in my collection. I thought by applying my little illustrative quirks to the elephant in thread, it would add a little bit of unique charm!
The idea evolved a little bit more, and instead of the whole address [because who lives in the same house year on year anymore? People with mortgages and real jobs to pay for them, that's who], I thought I would add a little personal message instead, like on a postcard.
I also toyed with the idea of adding a little luggage tag with the address and the real stamps required for sending love the old fashioned way, but I didn't for two reasons [ok, maybe three]. Firstly, I didn't think the Royal Mail would let me actually send a tiny elephant in the post. Secondly, I would be worried about it getting dirty or snagged! And thirdly, anyone else think a luggage tag around the neck of a small loved one being sent away by themselves is a little too... Blitzy?
Not a word. Nevermind.
I'm hoping to have these little guys online to buy custom made very soon!
These photos aren't great - sorry toy lovers!